PhD, UCLA, Los Angeles, CA: Slavic Languages and Literatures, 2004
M.A., University of Washington, Seattle, WA: Slavic Languages and Literatures, 1996
B.A., Stanford University, Palo Alto, CA (double major): Feminist Studies; English with an Interdisciplinary Emphasis on French and Russian Literatures, 1992
Research
Contemporary Russian women’s writing
Russian-American fiction
Chekhov
Comparative literature
Feminist and postcolonial theory
Writing the body in contemporary Russian women’s fiction and film
Virginia Woolf’s translation of Dostoevsky
Publications
Articles
“Telling Their Hybrid Stories: Three Recent Works of Russian-American Fiction” SEEJ 59.1 (2015): 116-24
“Hybrid Selves, Hybrid Texts: Embracing the Hyphen in Russian-American Fiction,” Slavic and East European Journal 55.1 (2011): 19-37 (Organizer for Special Forum Issue on Russian-American Fiction)
“A Dialogue in Books: Virginia Woolf’s Mrs. Dalloway and Michael Cunningham’s The Hours” in Critical Insights: Mrs. Dalloway, ed. Dorothy Dodge Robbins, Pasadena, CA: Salem Press, 2011, 59-73
“Translating Dostoevskii, Writing a Novel of One’s Own: The Place of Stavrogin’s Confession in the Creation of Mrs. Dalloway,” Modern Language Review 104.4 (2009): 1081-1097
“‘We all love with the same part of the body, don’t we?’: Iuliia Voznesenskaia’s Zhenskii Dekameron, New Women’s Prose, and French Feminist Theory,” Intertexts 13.2 (2009): 95-114
“Shamara: writing and screening the female body,” Studies in Russian and Soviet Cinema 2.2 (2008): 167-181